In an era of digital catalogues raisonnés, artist Michael Müller has embraced printed opulence with “Ernstes Spiel – Catalogue Raisonné.” Using colors, languages and the interplay of images and texts, the supposed parergon is transformed into a Gesamtkunstwerk in its own right. […]
By Prof. Dr. Tobias Vogt
Art historian at the Institute for Art and Visual Culture at the Carl von Ossietzky University of Oldenburg.
Read the whole article on De Gruyter Conversations.
More on the series Michael Müller. Ernstes Spiel. Catalogue Raisonné can be found here.